rush hour limited presents san proper s a dam family series. this is a series where he teams up with well known and lesser known producers from amsterdam. on the third part he collaborates with the schepper with his ferrari (aka overlast, dopeness galore). these two amsterdam youngsters continue where this series started, deep and grooving

this series on bpitch control called >camping< consists of 3 parts. the first comes with two great minimal melodic and dark groovin tracks by ben klock and safety scissors in the ellen allien germany remix.. tip

lee burridges new label carries on where the first release ended 2 underground techhouse bombs in collaboration with steve porter we hope of more great collaborations to come on almost anonymous a must have record

the line in between will be released as three vinyl singles and a cd album. the second single includes two tracks from the album, >lost< and >panamuno <,with two brilliant remixes by zentex and 3 channels. the original version of >lost<is all about minimal hi-tech funk with a jackin flavour, while zentex s (kickboxer)soulseek remix drives on ghostly melodies and a haunting soundscape. the flipside tune panamuno is filled with warm synths, beautiful strings and a hypnotic melody,yet again by the frozen north grand wizard himself.3 channels remix thrives on controversy and begins where the original version ends. a real gem for the likes of progressive approach! martin landsky,loco dice..

rmxs by vitalic & david carretta, crash course in science (ccis) is an electronic musical group that was formed in 1979. the band was formed as a way to explore performance art and music, which the members desperately needed to express. .. this 12inch contained the songs >cardboard lamb< and >flying turns< which are two of the bands most recognizable tracks. this record has been regarded as influential to the techno industrial genres and was an early inception of what is now known as the >electro< sound.. one remix made by the crash course in science band themselves in 2006 !!! amazing uptodate remix done by the original member, which sound incredibly music of now. another remix made by vitalic , which gonna be a classic hymn for clubs as always when vitalic rework a track. and the last remix done by david caretta who give another dimension to the original track. this crash course in science band have been many times sampled by artist of today, now you know from where comes the original

hell yeah is proud to welcome on board one of the label fave producers and party animal extraordinaire mister oliver koletzki, known for his outstanding releases, firing remixes for stil vor talent, cocoon, flash, great stuff, oliver is now a fully respected globetrotter dj who spread the party verb trough his sound who cover minimal-techno, neo-trance and everything rockin in between. legend says that he produced the electro-trancey monster named music from the heart and the techno fuelled in between after an impressive memorable weekend of gigs in italy, where he got in touch with the italian side of the hell yeah collective.

this dry, cold-processed stomper from jack rock shoots like a rocket out of nowhere. with a bass drum that reminds of stakes installed in the swampland and a mysterious melody, he once again presents himself as the connoisseur of delicate club dramaturgy and jack really knows how to conquer the hearts of both, the dj and the crowd.his stumbling funk finds its equivalence in dandy jack s staccato rush whose congenial remix shows a higher concentration, but is still full of catchiness and deepness driven by a real conviction. this must-have ep offers a really wonderful ground contact and represents the continuation of a unique label policy: young, but characterised by deep wisdom, knowledge that can only be found in the dark labyrinths of the club where we love to get lost over and over again...played by john acquaviva, dinky, toni rios

rush hour limited presents san propers amsterdam family series. this is a series where he teams up with known and unknown producers from amsterdam. although new to the production game san proper has been dj ing in the amsterdam club scene for years. over the last ten years, he has been spinning in all the major clubs, bars and lounges, in and around holland. hes very known and praised for his house and disco sets, but also for blending a lot of different styles into an eclectic mix. on this, the first part, he collaborates with steven de peven (the driving force behind rednose distrikt.) together they ve created three variations of a deep and steamy mid tempo house track. tested and approved on the dancefloors of amsterdam

rush hour limited presents san propers amsterdam family series. this is a series where he teams up with known and unknown producers from amsterdam. although new to the production game san proper has been djing in the amsterdam club scene for years. over the last ten years, he has been spinning in all the major clubs, bars and lounges in and around holland. san is well known and praised for his house and disco sets as well as for blending a lot of different styles into an eclectic mix. on this 12, the second in the series, he collaborates with tom trago, who produced the well received live with the bbq (rh ltd 009). they ve create two mid tempo house burners, just the way we like them. while catterpillar blues is a upbeat discofied love affair, love flue is a haunting afro disco flavoured groove

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

due to productions on many hardtechno labels like combat skills, highball music and s suberp knedeep production, chris popularity with the fans on filthy hard throbbing techno skyrocketed.. sw7 re-offers one of his hardest works to date, the beatcasting ep!! originally released in 2002 in limited quantities, we now present this wicked piece of hard techno where chris noise pounds away like if there is no tomorrow..

thom yorke is the pen, voice and soul of the rock group radiohead he has just released a solo album the eraser and that is where this story begins. abandoning his guitar get-along gang for the cold warmth of his computer and underhyping an album that should be plastering the walls and buses of your local city, the anxiety ridden and morose yorke cuts to the core of the dark state of humanity, unapologetically commenting on the zombies that were once humans. on this extremely limited 12,the album title track the eraser( already big with timmy regisford ) gets remixed in a distorted detroit style by slow to speak, following up on the recent bjork, u2 & arc gospel choir reworkings. on the flip is various acapellas of thom speaking on the current state of society and commerce and the radiohead song climbing up the walls, which in some strange dysfunctional way is married lyrically to the eraser. comes in a hand made silk screened jacket

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

crinkle-dub with a drollery factor is his thing. after his recent debut album on jay haze s future dub label, arttu snellman aka lump returns to the mothership karloff, where he already contributed polka paradox, a classic of the label s catalogue. the finn who lives in london and works there as an animation cartoonist, also has a liability to comic-like aesthetics in his music, where he reaches his very own kind of deepness with a dodgy-ironic sound design. with an airy easiness the 4 tracks of crazy stereo are still bopping between spooky house and discoid miniature - a crunchy hot chimney fire for your turntables!

cool double 12 special edition including 18 of their biggest singles and a great photo and lyrics booklet this is a must have

the first release of the now following versus-series starts with a new stroke of genius from rob acid. a trippy acid-monster with 125 bpm, that lasts almost 13 minutes. hardfloor are competing against this with a track that has been on the play lists of josh wink, david duriez and (of course) oliver bondzio, where it caused quite a lot of attention.

incl. motorcitysoul rmx !! dani casarano, better known under this dj-name tony mass, is a famous dj in his country of choice: chile. born in italy, grown up in the french part of switzerland, he is a widely traveled cosmopolite. his dj career started in lausanne in 1992, where he quickly became well known because of his explosive combination of techno and house grooves. in 1997 he arrived to chile as a guest of luciano for the techno culture party to play along chilean top djs like ricardo villalobos. nowadays he just finished his club tour through europe, several releases on well-known labels are planned and he can look back on hot sweaty dj-sets together with top class djs.. el zapo hablo is a wonderful dreamy and floating tune. the emotionality in this track is more focused on a winterlike atmosphere….

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

big buzz around this track, especially when the olav basoski and thomas falke mixes where finished! big support from the house dj-elite!

after the big success of their first collaboration album the one family thing, here is the follow up now and after a relatively quiet period for productions the two german djs/producers hit back with a vengeance with a strong album release that has set a new standard for both of them.. supported by gayle san, the advent, dj rush, cave and dj preach

mit dabei auf dem kuschel-floor, popnoname, markus guentner, gas, the field, thomas fehlmann, triola, marsen jules, klimek, ulf lohmann & andrew thomas

moxie returns to where they started (and pretty much stayed) rough 80s electronic music. this time - two edits from worlds apart.. the a-side features an edit of a late 80s ny classic while the b-side is a re-edit of a electrofied brazilian song.. they must have listened to the sugarhill gang before producing this tune.. now whos chow daddy

incl harmonic lovely anja schneider rmx !! plasmik are the brothers roman and marcel fritz. both originate from black forests finest city freiburg, located close to the swiss border. the time came, when both went different ways but now in 2006 the brothers hooked up with each other again in berlin and continued where they stopped ten years before. since then they are on the quest for that timeless sound, which fascinated both in their musical past so lastingly. the first results of their promising reanimated collaboration are the tracks >eight to nine< and <ahead>

third chapter of the electro bug bites parts with tracks by genderfix, dr. bass and hard rock sofa & full fiction

theodor zox is one of denmark s upcoming producers. he has already released on well-known labels like tic tac toe, 3rd floor, textone, thinner and morris audio citysport. >dark liquid<, the flollow up to his much acclaimed >crystalized< (m.a.citysport 27), is a proper deep techno & house minimalism release in a alex under vein, where harmony, texture and propulsive rhythm are the most important ingredients! his love for music started at a very early age, when his father, a disc jockey of the 70s, exposed him to jazz, funk, disco, dub - and kraftwerk. theodor zox uses all his creativity in exploring, experimenting and refining the minimal music

the ventriloquist is mirco uguccioni one half of the project rolf & fonky and vaseline and dust is the second issue. where amb.(bit04),the first ep, explores the ambient musical side of mirco. vaseline and dust takes the listener in a sound more melodic and rhythmic

remixes by mark de clive lowe, nickodemus and the trueby trio not to be missed

recently landing on the nite grooves shores from japan, this most recent double a side is the third great electronic endeavor to be issued. the first, nami is a tripped out loungey mover where synth stabs dominate throughout. a deep faded bassline is added and together with a classic house hi hat makes for a well rounded instrumental. aso is a mellow non invasive, non vocal perfect for the side chill room jazzy piano riffs, violin strings, light clavs & bubbly bass line all make a nice sauce

second fat release from hugo on floppy funk! after his much acclaimed >ubitquity< (floppy funk 04) and the fabulous tongut releases, >hugoist< is a 100% pure hugo style: electronic, minimal, funky, deep, rough and clubby! yes, we dare to say it s a bit fuckpony stylee! 4 tracks of the a new italian sound hailing from torino, where hugo is part of the scene together with mates like titta. hugo is also involved in >concept<, a contemporary answer to the necessary integration of different media. concept starts from the music, spreading its contents through various channels like radio, magazines, multimedia and club nights. you can t resist the hugoist!

berlin a melting pot of cultures: in this episode: sweden & usa. mikael stavoestrand is recognized as a minimal structural engineer for a longer time now – both as solo artist and in variant collaborations. on >no turning back< his co-worker for the vocal component is once again big bully with a softly pushing voice right above mikael s bouncy, but clean beats. on b1 the a-side track is remixed by krause duo. in contrast to the original they replaced most of the vocals by an e-piano line with warm and dub-like harmonies. in the end b2 arises the question: >where did you go?<: the answer is … maybe like every monday: dancing

norwegian house/techno legend bjorn torske (svek) teamed up with duo crystal bois to produce this 12 titled >as besto<, a collaboration where the artists remixed, reproduced and made edits of each others material, ending up with three faster techhouse tracks..

the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

remixes by mark de clive lowe, nickodemus and the trueby trio not to be missed

cool phreakin >dought< like techno 3 tracker !!!

one listen to ‘atlantis to interzone’ and the several miles of dots between post punk psychedelic pop and pill popping dance music are quickly joined, where screaming sirens and samples straight out of a field in ‘89 give way to the punked out half-falsetto, half melodic breakneck vocals and drums. klaxons (that s jamie, simon and james) created a chorus that can be both screamed drunkenly and sung quietly to yourself on the bus. this anthem (of the year?) is offered with remixed version by our extra-skills duo digitalism, alongside an extra long industrial technoid mix by nightmoves and a ‘break for love’ mix by dave p and sparkles’

cesare vs. disorder returns to the studio with argentinean partner perro magnetico with this deep and hypnotic four tracker that will help further cement the mean london sound. a deep and brooding first track introduces twisted, down tuned vocals and liquefied layers built inside tight arrangements before a throbbing bass takes the driving seat. a2 holds a playful and quirky electronic excursion >clarete< warming us up with romantic, light melodies. on the b side, ale ross aka perro magnetico drives you deeply into the sunset with two minimal gems that build but never explode. a demonstration of where minimal techno could go from these two young artists.. a must have for all minimal fans / sleeparchive fans!!!

paul nazca, based in the south of france where the techno scene is quite big and active, normally releases mostly on his own label (scandium). but this time the french outrider touches base with bpitch - and is more than welcome!

here we are presented with black jam records, something new for intergroove! four tracks each diverse from one another, being re-edits and booty versions ranging from disco influences, funk, electro and even reggae! serious fun for djs and partygoers alike....

ooze (one half of minilogue) and vocalist tishk got togehter and wrote random wonderous things, where jazzy electronica meets pop. remixes come from jesse somfay, andreas tilliander and blue states

>em.pulse< is the long-awaited new release from hanaus most innovative and respected techno producer, d. diggler aka andreas muegge !! it is a appetizing work of staggering genius which forges a very different path from his 1999 debut 12 boogiemonster and his albums >feel my heat< and >atomic dancefloor<. where >feel my heat< was an exaggerated dub influenced collage which was mainly driven by post basic channel sound, >em.pulse< is deconstructing the history of techno and reassembled it into a breathtaking tangle of modern minimal sound..

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

ein überdrehter jamie lidell mit leichten zuckungen dürfte ähnlich klingen... gute platte

here comes the little brother of the recently kick-started luxaflex label. the original was released as a b-side to kelis superb hit track millionaire. for this limited white vinyl edition offshoot >in public< was properbly rebuild. where the original was pretty sweet, this rework add some soice to it. the sexy vocals of new york rnb singer kelis smoothy ride along a throobing minimalistic groove with a rough bassline..

if there is one overall trend to spot in the wide fields of electronic music over the last years, it is the reversion to emotion. in a time where tracks are becoming more and more anonymous tools, melodies, references to pop music and recognition are seen as a design element and not as a blemish. to be honest, this recurrence was desperately needed, because music was always at best when feelings and not the mathematic of clicks were at the centre of attention. soda inc. reached this point of intersection already with their debut album >full moon< one and a half years ago. with intense anthems such as flight su 118 babak shayan and jon silva have created the deepest and most pictorial vision dub related techhouse had to offer to our hearts and souls. a solid basis to build up for the early summer of 2006....

wagon cookin joined xan blacq in salvador de bahia where they recorded this sultry piece of nusoul called the week the weekend.later xan blacq did it again at his london studio in an uptempo style, rerecording everything. result is a great piece of contemporary soul made with the heart to move the feet. original has the distinctive wagster jazz touch, but this time with and slightly electronic feel. flip the side and you will find a broken beat remix of the original brink on dreams included in their amazing last album. electronic but yet jazzy broken production that will rock the place!

second release from this new label. sordid you combines huge droning bass frequencies with a combo of bouncy, undulating synth hooks and tough beats for a huge uplifting track with a moody edge to it awesome production throughout, and a very fresh and exciting sound generally. watch these guys fly for the rest of the year

nice price deal !!! shahrokh dini was born on 26.10.1966 in tehran/iran and enjoyed a protected childhood as well as protected school days whilst teheran was heavily influenced by the west during the time of shah. in 1985, shahrokh left teheran and finally landed in karlsruhe where he started his study as an engineer. parallel to his study he worked as a dj, which symbolised his entrance into the music business at the same time

must! records go back to where they came from. direct produced killer italo disco versus chicago warehouse anthems in the form or <put some more< and >why not<. rocking hot and this time check out the 12 minute long symphonic >why not< , this shit rocks